Beginning with La Femme Nikita, in 1990, Luc Besson has done one thing for twenty-five years. He puts beautiful vulnerable young women in mortal danger, and then he gives them the power to annihilate their enemies. It’s his kink. I suppose you have to admire the consistency.
This one’s garbage. At least back in 1990 you got a little Jeanne Moreau to add some depth to the fluff. The Obi Wan role this time goes to Morgan Freeman. He must have spent days on set staring wide-eyed in amazement at a green screen, since about 65% of this movie is CGI nonsense. (Do you know what she’s doing in that picture up there? No, she is not playing a laser harp. No, she is not checking out an awesome fiber-optic lamp at Spencer Gifts. She’s seeing the matrix, dude! She’s seeing it!) Even with all the padding Besson can’t quite 90 minutes out of his plodding and novelty-free script; you’ll get 89 only, and lucky you.
Oh weird, I just noticed there’s a another picture of this actress just a few posts down from this one. A lot of what I said there goes double here. Both times out, Johansson is at once all-powerful and completely without human affect. Why would filmmakers think a character with those characteristics would be engaging for audiences? Discuss.